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The central heroine of Tání is the young Eva in a concentrated performance by Rosa Marchant, who won the best actress award at the Sundance Festival for this role a year ago, when she was seventeen years old.
Belgian director Veerle Baetens’ debut is primarily concerned with the psychology of trauma and its very gradual disclosure. It’s hard to write about such films if you don’t want to reveal their secrets and deprive the audience of such a powerful, if sometimes graphic, experience.
Nevertheless, let’s try to write what makes this inconspicuous film, which is coming to cinemas in strong competition with the documentary “Karlos” or the two Golden Globe-winning films “Poor People”, so special. The Belgian bestseller, which served as a basis for the film, was also published in Czech in 2017 by Host Publishing.
Away from the world of children’s games
Years later, Eva, now an adult, returns to the village where she spent her childhood and early youth. She is a quiet, rather withdrawn woman who usually keeps to herself and only visits the village because there is a memorial service for her old friend.
And we find out through retrospectives
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