The musical explorations of Orlando ‘Cachaito’ Lopez

World Circuit has just reissued on vinyl the solo album of the double bass player, a modern UFO in the Buena Vista galaxy.

Exclusive double bassist for the productions of the Buena Vista Social Club and nicknamed the “heartbeat “of the famous Cuban formation, Orlando ‘Cachaito’ Lopez the solo album came out in 2001 Cachaito. The World Circuit label has just reissued on vinyl this deeply modern work by the master of Cuban swing and groove. While the Buena Vista made us rediscover the world, the Cuban cultural heritage with its Danzon, Mambo or other Son, Cachaito and his accomplice the conguero Miguel ‘Angà’ Diaz revisited Afro-Cuban traditions by plunging them into an explosive cocktail and ambient jazz, electronic sounds, reggae or hip hop.

Orlando ‘Cachaito’ Lopez, passed away in 2009, leaving behind a considerable body of work, he who replaced at the age of 17 his uncle Israel “Cachao” López within the group of Arsenio Rodriguez, accompanied the national symphony orchestra for thirty years old, accompanied by Nat King Cole, Chucho Valdés, Irakere or Paquito d’Rivera. On his solo album he was accompanied by an All Stars of Cuban musicians including Ibrahim Ferrer but also by the South African trumpeter Hugh Masekela the great Pee Wee Ellis of JB’s or by the French DJ Dee Nasty.

Instead of the usual pianos and tres (traditional Cuban guitar), the basic set consists of the electric guitar, held by Manuel Galbàn the first Cuban surf guitarist of the 60s and a Hammond organ, played by the Jamaican Bigga Morrison. All the titles of this inventive work have nothing to envy to current productions and mergers of genres.

Orlando ‘Cachaito’ Lopez cover © Other

Thousands of eyes turned to the red moon

The lunar eclipse lasted from 9:30 p.m. to 11:13 p.m. last night, making it the longest of the century.

Many people in the Jura Arc and throughout Switzerland had their eyes turned to the sky last night to admire the lunar eclipse. For more than an hour from nightfall, the full moon was in the Earth’s shadow, visible despite a slightly hazy sky.

The total eclipse will have lasted from 9:30 p.m. to 11:13 p.m., making it the …

Glickenhaus SCG007 LMP1: hypercar for Le Mans top class

The US racing team Scuderia Cameron Glickenhaus wants to build a car for the new LMP1 regulations for the 24h race in Le Mans. A street-legal hypercar is being developed as the basis for the SCG007 racing car. Now there are first dates.

Aston Martin and Toyota have already confirmed that they will build cars for the new regulations for the Le Mans top class, which will come into force in September 2020. US small series manufacturer Glickenhaus also shows a serious interest in entering and competing against the two major manufacturers.


With his new project, code name SCG007, company founder Jim Glickenhaus plans to build on the successes of American Le Mans heroes such as Briggs Cunningham, Carroll Shelby and Jim Hall. The billionaire, who also enriches the 24-hour race with his team at the Nürburgring, is hot for Le Mans.


Glickenhaus wants Le Mans victory


More motorsport

Track test Glickenhaus SCG003C

Exceptional racing car with around 500 hp

read more

“Even if in the end only one of our cars will compete against the rest of the world, we will put this program together, no matter what it takes. Even if we have to do it,” says Glickenhaus. “It’s been 50 years since a car built in America won overall at Le Mans. We want to change that.”


In addition to the first computer photos of the planned racing car, the racing team has now spread the first information about the drive. This gives the racer a V8 twin-turbo engine developed by the French racing engine manufacturer Pipo Moteurs. Originally, a V6 engine with a displacement of three liters and double turbocharging was to be used. This 840 hp engine was to be supplied by Alfa Romeo.



Scuderia Glickenhaus SCG007 - LMP1 Hypercar - 2019

Glickenhaus

The design of the Glickenhaus hypercar looks very Italian.

Construction of two LMP1 racers planned

The company founder is considered a friend of Italian sports cars, which is also reflected in the design of the racing car. The 1,100 kilogram car is also to be delivered to customers on request. The price that Glickenhaus calls is steep, however: for two million euros you can get a racing car that can start in Le Mans. The first prototype’s shakedown is scheduled for September 2020.


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Medicinal cannabis will be authorized in the UK | World | News | The gallery

“This will help patients with specific medical needs, but it is by no means a first step towards legalizing recreational cannabis,” the minister said in a statement.

The minister asked two groups of independent experts on June 19 to look into the matter.

An initial analysis, conducted by Sally Davies, the government’s chief medical adviser, concluded that medical cannabis was proven to have therapeutic benefits.

The Drug Abuse Advisory Council, meanwhile, ruled last week that doctors should be able to prescribe medical cannabis provided the products meet safety standards.

Several cases of sick people illegally treating themselves with cannabis-derived products, including two children with epilepsy, Alfie Dingley and Billy Caldwell, taking cannabis oil, had recently been publicized.

“Making medical cannabis available on prescription will improve the lives of patients who are currently suffering in silence. There is nothing more difficult than to see those close to them suffering, which is why I made this decision ”, justified the Minister of the Interior on Twitter.

“Normal life”

Billy Caldwell’s mother was delighted with this “fantastic” news which falls on the day her son turns thirteen. “Billy has never received a better gift and never from someone so unexpected,” she testified.

“My little boy Billy will now be able to live a normal life with his mother thanks to the simple fact of administering to him a few drops per day of a natural medicine long criticized, but quite effective”.

Interest in cannabis or Indian hemp, used as a medicinal plant since ancient Egypt, was revived in the 1990s by the discovery of an analogue of cannabis produced by the body, the endogenous cannabinoid, present in the brain. men like animals.

Since that date, dozens of studies have confirmed the interest of therapeutic cannabis, for example to treat muscle spasms in multiple sclerosis and epilepsy, chronic pain in certain neurological pathologies, or to prevent nausea and vomiting in people with cancer.

In the UK, cannabis, which was classified as a drug with no therapeutic value, will be changed.

The Department of Health and Social Care (DHSC) and the Medicines and Health Products Regulatory Agency (MHRA) will now “clearly define what constitutes a drug derived from cannabis” so that these can be prescribed, a indicated the Interior Ministry. “Other forms of cannabis will be strictly controlled and will not be available on prescription.”

Mike Penning, co-chair of a cross-party parliamentary group on medical cannabis said he was “happy” that the minister “acted so quickly”.

“This announcement brings hope to several thousand people,” he continued. “However, there is still very important work (to be done) to define exactly which products will be authorized and how they will be regulated.”

Several other European countries have legalized medical cannabis, such as Germany, Austria, Finland or Italy.

In the UK, Liberal Democrats, who have long campaigned for liberalized cannabis laws, stressed that change was “long overdue,” but regretted that the government was unwilling to revise “outdated and harmful laws. surrounding the recreational use of cannabis ”.

The decision of the British Conservative government will be “widely welcomed by the research community”, reacted for his part Dr. Tom Freeman, researcher at King’s College London. It “will have a considerable impact on research by facilitating the development of safer and more effective drugs,” he added.

EU justice paves the way for generics of an AIDS medicine

The American sports world, leading NBA basketball players, has started an unprecedented boycott of competitions in reaction to the Jacob Blake affair, named after the young African-American seriously injured by a police officer, who is reviving the anti-racist movement in the United States. United States.

Triggered by the Milwaukee Bucks basketball team, which boycotted a game and forced the NBA to postpone several other games on Wednesday, the movement has spread at high speed.

“WE CALL FOR CHANGE. WE’RE TIRED”, tweeted Los Angeles Lakers superstar LeBron James. According to several media, the Lakers and Los Angeles Clippers have voted to drop the NBA season.

Japanese tennis player Naomi Osaka has refused to play in the semi-final of the Cincinnnati tournament, whose organizers have postponed all matches scheduled for Thursday by one day. Football and baseball matches have also been postponed due to a player boycott.

“As a black woman, I feel like there are much more important issues that need immediate attention, rather than watching me play tennis,” explained Naomi Osaka, 22, whose mother is Japanese and father Haitian, and who has often spoken out in recent months to denounce racial injustice.

Jacob Blake, a 29-year-old father, was seriously injured when a police officer shot him seven times in the back on Sunday in Kenosha, Wisconsin, as he resisted his arrest, in a context still unclear.

According to a statement from the Wisconsin Department of Justice, police were dispatched to the scene following a call from a woman saying that “her boy friend“was at home and “was not meant” be there. Once there, the statement added, the agents have, “unsuccessful”, “tried to stop“Jacob Blake using a taser.

Wave of emotion

The man had warned them that he “was in possession of a knife”, say local authorities. Investigators have indeed found a knife on the floor of the vehicle, in which was no other weapon, specifies the ministry by revealing the name of the police officer who fired seven times: Rusten Sheskey. He has so far been laid off with one of his colleagues.

Filmed by witnesses and broadcast on social networks, the scene sparked a wave of emotion in the country and triggered a dangerous cocktail in Kenosha involving rioters and vigilante groups.

Three months after the death of George Floyd, a black forty-something suffocated under the knee of a white policeman in Minneapolis, anger is again strong in the United States in the face of racism and police violence.

Protesters in the streets after the gunfire that injured Jacob Blake in Kenosha, Wisconsin on August 26, 2020.

Reflection of growing anger, the processions degenerated into violence every night in Kenosha, with clashes between protesters and the police and numerous degradations despite a curfew, the deployment of 250 soldiers of the National Guard and appeals for calm from Jacob Blake’s family.

In this context of extreme tension, two people were shot dead and a third injured in circumstances which remain rather unclear.

A 17-year-old boy is suspected of being the author of the shootings and has been arraigned for murder charges, police said without giving further details.

Protests in Wisconsin.

Protests in Wisconsin.

According to local media, he was seen in the presence of armed men who pose as “militias” or some “self-defense groups”, eager to protect the city. County Sheriff David Beth has confirmed their presence in the area, without specifying whether the shooter was from those groups.

Some 200 people gathered in Kenosha in a peaceful march overnight from Wednesday to Thursday, shouting “No justice, no peace”. Another demonstration is scheduled for Thursday afternoon in front of the city courthouse.

In downtown Los Angeles, where around 300 anti-racism protesters gathered early in the morning, scuffles broke out with police firing rubber bullets after trying to carry out arrests at a rally in a tunnel, according to images broadcast by ABC News.

“The anarchy”

President Donald Trump, who has regularly defended the right to carry arms and self-defense, a speech dear to his electoral base, did not speak about this dramatic episode, emphasizing the excesses committed by the protesters.

We will not tolerate looting, arson, violence and lawlessness on American streets “, Mr. Trump tweeted promising, according to his November 3 presidential campaign slogan, to “restore LAW and ORDER!” in Kenosha.

To do this, said the Republican president, the governor of Wisconsin has accepted the sending of new reinforcements, both members of the federal police and soldiers of the National Guard, in this city of 100,000 inhabitants.

His Democratic rival Joe Biden has adopted the posture of reconciler. “Once again a black man, Jacob Blake, was shot by the police. His children watched. It makes me sick.”, he tweeted.

Kenosha’s drama follows in the wake of a major anti-racist protest movement born after George Floyd’s death on May 25.

Demonstrations across the country have called for structural police reforms and a rethinking of US history to make more room for the suffering endured by minorities. Sometimes accompanied by looting and clashes with the police, they had run out of steam in recent weeks.

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In the English city of Boston, the “Brexitland” in doubt

The mocking laugh of the seagulls envelope the city early in the morning and until mid-evening. Taunt the voters here in Boston trépignent not see the Brexit run fast enough? Or those who had voted for, but today see glimpses of the doubt, and sometimes guilt?

Two years ago, this little corner of coastline in the east of England distinguished himself by becoming the county british placing at the top the “Leave” : 75,6 % of votes in favour of a departure from the United Kingdom to the european Union, versus 52% on average in the uk. Crowning Boston the title of ” Brexit-land “. But in this city of 35 000 inhabitants in the small houses of brick-red or ochre, the certainty of massive vote has lost ground to scepticism.

The end of the afternoon. Rick and Shawn are sitting in terrace, pints of lager in sight. Both voted for the Brexit. The first referred, without hesitation, finds that the EU interferes too much in the affairs of the country. The second hesitates. “The referendum… everything has been very rapid, it has not been well informed,” says with hindsight Shawn, an employee at the hospital around the corner, hair ras become rare.

“Why we didn’t have all the info ? “

Informed of what ? He speaks of the large companies that are beginning to set sail, the recent announcement that Airbus – 15,000 jobs in the Uk – might withdraw. It also reminds us, and many will spontaneously in the streets of Boston, the case of the ” bus “.

The ex-minister of foreign Affairs Boris Johnson had posted on a bus that come out of the EU could enable the british health system to recover 350 million pounds per week. A amount completely fanciful. “I don’t regret my vote in for the exit… but why we didn’t have all the info ?” asks as Brian, a former executive in the CONSTRUCTION industry, a little further away.

READ ALSO > The British bite the fingers

“We were especially told that we could better control immigration “, stare at Shawn. Because this was the major concern of a large part of the voters, here. “We need aliens… but it was too much,” slides Brian. Since 2003 and the opening by Tony Blair of the borders to workers from the east – then recently entered the Union – Boston became a port of the host important for Poles, Estonians, Lithuanians, and Romanians. The local economy has always been very resource-intensive labour low-skilled (cultivation of fruit and vegetables), was in need of arms.

“People feel threatened, then they accuse the EU “

But in this city led by the Conservatives, this has boosted the voting xenophobic, worn by the party Ukip. And the Brexit has been praised to the skies. “People feel threatened, then they accuse the EU,” said Paul Gleeson, local elected representative of the Labour Party (left) and in opposition to the output. He accused successive governments have wanted to attract workers without ever investing to facilitate their integration.

In 2016, Steven has voted in favour of the Brexit. But if it was to do over again, he would vote “may be “against”./LP/Quentin Laurent

The current government, led by Theresa May, opens itself to the criticism of the ” brexiters “, convinced as repented. “I voted to get out, but if I had to vote again, I’d say maybe stay (Editor’s NOTE : stay), loose Steven, a truck driver for 49 years, malabar overfed to the tattooed arms. Right now we’re in limbo, we don’t know where we are, or where we are going. “

The back-and-forth between “soft” Brexit ” and ” hard Brexit “, the resignations of the ministers concerned. The small twenty spotty freckles, anti-Brexit, Chris tackle the procrastination of May : “The current situation is not right, it is better to make a decision and stick to it. “”She wants to make everyone happy, it won’t work,” says Hazel, the sixty dainty, she was always a strong supporter of the ” Leave “.

“The uncertainty is too great for the economy “, maugrée Shawn. The hospital worker rests his beer, raising his eyebrows. “We’re in a good boat “.

In the English city of Boston, “Brexitland” in the grip of doubt

The mocking laughter of seagulls envelops the city from morning until mid-evening. Are they mocking the voters here in Boston who tremble for not seeing Brexit run fast enough? Or those who had voted in favor, but who today see doubts, and sometimes remorse, emerging?

Two years ago, this little corner of coast to the east of England stood out by becoming the British county placing the highest “Leave”: 75.6% of the vote in favor of leaving the United United of the European Union, against 52% on average across the Channel. Crowning Boston with the title of “Brexit-land”. But in this city of 35,000 inhabitants with small red or ocher brick houses, the certainty of a massive vote has given way to skepticism.

Late afternoon. Rick and Shawn are seated on the terrace, pints of blonde in sight. The two voted for Brexit. The former would do it again without hesitation, finding that the EU is too much involved in the country’s affairs. The second hesitates. “The referendum … everything was very fast, we were not well informed,” said Shawn, an employee at the local hospital, with short hair that has become rare.

“Why didn’t we have all the info?” “

Know what? He talks about the big companies that are starting to set sail, the recent announcement that Airbus – 15,000 jobs in the UK – could withdraw. He also recalls, and many will do so spontaneously in the streets of Boston, the “bus” affair.

Former Foreign Minister Boris Johnson posted on a coach that leaving the EU could save the British health care system £ 350 million a week. A completely fanciful amount. “I don’t regret my vote for the exit … but why didn’t we have all the info?” Asks Brian, a former manager in the construction industry, a little further.

READ ALSO> The British bite their fingers

“We were mainly told that we could better control immigration,” rehashed Shawn. Because it was the major concern of a large part of the voters here. “We need strangers … but we have too many,” says Brian. Since 2003 and the opening by Tony Blair of borders to workers from the east – then recently joined the Union – Boston has become an important port of reception for Poles, Estonians, Lithuanians, Romanians. The local economy, which has always been very greedy in unskilled labor (growing fruits and vegetables), needed help.

“People feel threatened, so they accuse the EU”

But in this city led by the Conservatives, it boosted the xenophobic vote, carried by the Ukip party. And Brexit has been brought to the skies. “People feel threatened, so they accuse the EU,” laments Paul Gleeson, local elected representative of the Labor Party (left) and opponent of the exit. He criticizes successive governments for wanting to attract workers without ever investing to facilitate their integration.

In 2016, Steven voted for Brexit. But if it had to be done again, he would vote “maybe” against./LP/Quentin Laurent

The current government, led by Theresa May, lends itself to criticism from the “brexiters”, convinced as repentant. “I voted to go out, but if I had to vote again, I might say stay ((Editor’s note: stay), coward Steven, 49-year-old truck driver, paunchy malabar with tattooed arms. Here we are in limbo, we do not know where we are or where we are going. “

The back and forth between “soft Brexit” and “hard Brexit”, the resignations of ministers are worrying. In his early twenties, freckled, anti-Brexit, Chris also tackles May’s procrastination: “The current situation is not going well, it’s better to make a decision and stick to it. “She wants to please everyone, it will not work,” says Hazel, the dapper sixty, she always fervent defender of “Leave”.

“The uncertainty is too great for the economy,” grumbles Shawn. The hospital worker puts down his beer, raises his eyebrows. “We are in a good galley”.

Charles Esten: “The end of Nashville should delight early fans” [INTERVIEW] – News Series

After 6 seasons and 124 episodes, the musical series “Nashville” will end Thursday night in the United States. Met in June during the Monte-Carlo television festival, Charles Esten, the interpreter of Deacon Claybourne, teased us the end of the series.

AlloCiné: Nashville will stop on July 26 in the United States after six seasons. Now that this adventure is over, that you have finished filming, what is your take on the past six years as Deacon?

Charles Esten : My years in the Nashville cast have been filled with magic. I am extremely grateful because this series has completely changed my life. When I was offered the role of Deacon I felt like I had reached a point in my career where I had the necessary background as an actor and as a singer to play this character. So I didn’t hesitate much before accepting but I could never have imagined how much this role would make me evolve. And then I was fortunate to have great playing partners with whom I built very strong relationships. I saw them bring their characters to life and give their all on stage, like in the studio, episode after episode.

The bonds that I made with the rest of the team and with the public is really the legacy that I will always remember from my years in Nashville. And I really think we owe it all to the music. Most of the series, we watch them and move on while we wait for the next episode. But with a show like Nashville, fans take us with them in their headphones, in their cars. It creates a really strong bond, and I have had the proof of it during each of the tours that we have been able to do with the rest of my partners on screen.

Has it been difficult for you to say goodbye to Deacon after all this time?

Yes really. I spent six years in his boots. Literally (laughs). He has only one pair of boots and I’ve worn them over and over for six seasons. Emotionally, it was not easy because I began to have empathy for Deacon over the episodes, to worry about his future. But what’s really good is I can say I’m happy with the ending. The writers really managed to wrap things up in a really nice way. They knew in advance that this would be our last season, which is not always the case with the American series. They were able to end the series in a proper way. The end of the series should delight early fans. And then, even if the series is over, all of these characters will continue their fictional lives in Nashville. We won’t just be around to watch them love each other or tear each other apart.

What can you tease about the end of the series?

One of the things I love most about Nashville is that the character of Deacon has kept rising and learning from his mistakes and the trials he has faced. This really is the story of Deacon, and it continues to be until the end, until the last episode of the series. What’s great about the last six episodes of this final season is that they explore Deacon’s deepest hurt: his complicated relationship with his father. Much of the pain he may have felt in his lifetime stems from this relationship. Without that, everything would have been different, he might not have become addicted, would not have had the same relationship with Rayna. He still managed to move forward despite everything, but now it’s time for him to confront his father, to put his finger on the last missing piece of the puzzle. This is the only way Deacon can be truly happy and heal.

So it’s a relationship that is fully at the center of Season 6B and continues to be handled by the writers until the very last scene of Deacon. And I have the chance to play all these scenes with the great Ronny Cox, who has been seen in cult films like Deliverance, The Beverly Hills Cop, RoboCop. Getting him to come on the show to play my dad was a real gift from the production.

CMT

And romantically, can we expect a happy ending for Deacon?

I can’t tell you exactly what’s going to happen there. But what is certain is that there was a lot of magic right from the start in the relationship between Deacon and Rayna. And all I can say is that there will be a lot of magic at the very end of the series as well. Something very special happens at the end. All fans ever wanted was for Deacon to be happy. During the first season, Rayna tells him “I just want you to be happy” and Deacon replies to him “Happiness and I don’t get along very well”. And maybe he’ll finally find that happiness somewhere. It will be a happiness of a different kind, because it will be without Rayna. But yes, there might still be some hope for Deacon.

It’s been over a year now, but what was your reaction when you heard that Connie Britton was going to be leaving Nashville midway through Season 5?

Like everyone else, the news of Connie’s departure broke my heart. I knew Rayna was the essence that kept Deacon running. His reason of being. And I was wondering if the show was going to be able to continue without her. But then, thinking about it, I thought to myself that it was a real gamble to manage to survive this. And these events, these trials are extremely strong because they speak to the viewers, they touch them because they are anchored in a certain reality. A lot of fans have come to me to say “My dad suffered from addictions” or “My dad had liver cancer and in a way the show helps me move forward.” And in the case of Rayna’s death, a lot of people were able to relate to how Deacon feels. He lost the great love of his life. And as an actor the challenge comes from the fact that we tell ourselves that we must do everything to do justice to such a plot. And on a more personal level, I also had to accept the fact that I will no longer be able to respond to Connie Britton. She’s so awesome, she’s a great friend of mine. It was a tough time but it forced the show to find a way to get over it and find a new path for itself.

Guess you’re not allowed to answer, but can we expect a Connie Britton cameo in the finale?

You’re right, I don’t have the right to answer (laughs). It is well seen from you. No, seriously, all I can say is we know what our fans hold dear and we share that love for the Rayna-Deacon relationship. We do not forget that.

The teaser for the Nashville series finale, which airs Thursday night on CMT in the US:

Charles Esten: “The end of Nashville should delight fans from the start” [INTERVIEW] – News Series

After 6 seasons and 124 episodes, the musical series “Nashville” will end Thursday evening in the United States. Met in June at the Monte-Carlo television festival, Charles Esten, the interpreter of Deacon Claybourne, teased us the end of the series.

Screenrush: Nashville will stop on July 26 in the United States after six seasons. Now that this adventure is over, that you have finished filming, what do you think of these past six years spent in Deacon’s shoes?

Charles Esten : My years in the Nashville cast were full of magic. I am extremely grateful because this series has completely changed my life. When I was offered the role of Deacon I felt like I had reached a stage in my career where I had the necessary background as an actor and as a singer to embody this character. So I didn’t hesitate much before accepting but I could never have imagined how much this role would make me evolve. And then I was lucky to have great game partners with whom I have forged very strong relationships. I saw them give life to their characters and give themselves fully on stage, as in the studio, episode after episode.

The bonds that I have created with the rest of the team and with the public are truly the legacy that I will always remember in my years in Nashville. And I really think we owe it all to music. Most series, we watch them and we move on to something else while waiting for the next episode. But with a series like Nashville, fans take us with them in their headphones, in their car. This creates a really strong bond, and I had proof of this during each of the tours that we were able to do with the rest of my partners on screen.

Was it difficult for you to say goodbye to Deacon after all this time?

Yes really. I spent six years in his boots. Literally (laughs). He only has one pair of boots and I’ve worn them over and over for six seasons. Emotionally, it was not easy because I began to have empathy for Deacon over the episodes, to worry about his future. But what is really good is that I can say that I am satisfied with the end. The writers have really managed to finish things off in a very nice way. They knew in advance that it would be our last season, which is not always the case with the American series. They were able to finish the series in an appropriate manner. The end of the series should delight fans from the start. And then, even if the series is over, all these characters will continue their fictional life in Nashville. We just won’t be around to watch them love each other or tear each other apart.

What can you teaser on the end of the series?

One of the things I like most about Nashville is that the character of Deacon has been constantly getting up and learning from his mistakes and the hardships he has faced. This is really the story of Deacon, and it continues to be the case until the end, until the last episode of the series. What’s great about the last six episodes of this final season is that they explore Deacon’s deepest wound: his complicated relationship with his father. Much of the pain he may have felt in his lifetime stems from this relationship. Without that, everything would have been different, he might not have become addicted, would not have had the same relationship with Rayna. He managed to move on anyway, but now it’s time for him to confront his father, to put his finger on the last missing piece of the puzzle. It is the only way for Deacon to be truly happy and to heal.

It is therefore a relationship that is fully at the center of season 6B and continues to be treated by the writers until the very last scene from Deacon. And I have the chance to play all these scenes with the great Ronny Cox, which we have seen in cult films like Deliverance, The Beverly Hills Cop, RoboCop. Being able to bring him into the series to play my father was a real gift from the production.

CMT

And on a romantic level, can we hope for a happy ending for Deacon?

I can’t exactly tell you what’s going to happen at that level. But what is certain is that there was a lot of magic from the start in the relationship that united Deacon and Rayna. And all I can say is that there will also be a lot of magic at the very end of the series. Something very special happens at the end. All the fans have always wanted is for Deacon to be happy. During the first season, Rayna says to him “I just want you to be happy” and Deacon answers to him “Happiness and I don’t get along very well”. And maybe he will finally manage to find that happiness somewhere. It will be a different kind of happiness, because it will be without Rayna. But yes, there may well be some hope for Deacon.

It goes back over a year now, but what was your reaction when you learned that Connie Britton was going to leave Nashville in the middle of season 5?

Like everyone else, the announcement of Connie’s departure broke my heart. I knew Rayna was the essence that made Deacon work. His reason of being. And I was wondering if the series would be able to continue without it. But then, thinking about it, I thought it was a real gamble to survive this. And these events, these trials are extremely strong because they speak to viewers, they touch them because they are anchored in a certain reality. Many fans have already come to me to say “My father was addicted” or “My father had liver cancer and in a way the series is helping me move forward”. And in the case of Rayna’s death, many people were able to identify with what Deacon feels. He lost the great love of his life. And as an actor the challenge comes from the fact that we say that we must do everything to do justice to such a plot. And on a more personal level, I also had to accept the fact that I could no longer respond to Connie Britton. She is so great, she is one of my great friends. It was a tough time but it forced the series to find a way to overcome it and find a new path to follow.

I guess you have no right to answer, but can we expect a cameo from Connie Britton during the finale?

You are right, I have no right to answer (laughs). It is well seen on your part. No, more seriously, all I can say is that we know what matters to our fans and that we share this love for the Rayna-Deacon relationship. We do not forget it.

The teaser for the Nashville final series, which will air on Thursday evening on CMT in the United States:

Munich Opera Festival with “Orlando Paladino”

My goodness what a mess! Knight Roland races furiously and madly through the area. He’s chasing the pretty Angelica. But Medoro wants them and so does he. When the impetuous, somewhat difficult to locate Rodomonte appears, the lively, at the same time chaotic couple Eurilla and Pasquale really only wants time for themselves, if then, oh, let’s leave that! The whole thing is just very complicated and difficult to stage.

The Munich State Opera director Nikolaus Bachler is particularly fond of playing such pieces for lateral entrants, which can sometimes go really wrong. Axel Ranisch has experience in music theater, but such a chunk, especially at the summer luxury festival, can it work? To make it short, more like yes.

Change between screen and cinema hall

Axel Ranisch moves the confusion of love and intrigues to a art house cinema. The operators show a silent film there every day. At some point the projector burns and the characters slide off the screen into the very real, that is, into the cinema. Later, Ranisch turns everything further, for example the projectionist then wanders around in a new film, after which everyday characters and over-the-top noblemen meet in the cinema.

So it goes on and on and yet in the end Ranisch succeeds in the feat of tying everything together sensibly and sensually: Happy couples can be celebrated by the audience in the Prinzregententheater, there are also a few stubborn boos, they can’t really spoil the party atmosphere.

Towards the end of the first act, however, before the break, the performance sagged. Somehow the figures stuck to the ramp, there were hardly any poetic moments. Even the Munich Chamber Orchestra, conducted by Ivor Bolton out of the spirit of gruff, historical performance practice, often sounded dull and potty. All of this probably had to do with an incident that took place in the auditorium: a lady apparently had an epileptic seizure and refused to leave the hall. There was a constant running back and forth of admission staff and theater doctor. Eventually the performance was interrupted and it took a long time for everyone to find their way back into the play – actors and spectators alike.

Brilliant in the supporting roles

The challenge with “Orlando Paladino” is not only to unravel the various threads of the plot, but above all to create very different moods that often follow one another and sometimes even run parallel. The main characters in Ranisch mostly get stuck in the conventional, but the smaller parts are scenically upgraded across the board. Brilliant, for example, the encounter between the grotesquely “sword-injured” Pasquale – his entire armor is full of enemy weapons – with Eurilla, who gently frees him from the disturbing metal. David Portillo and Elena Sancho Pereg play and sing it wonderfully.

Tara Erraught is a stunner as the sorceress Alcina, yes there is still that here. Adela Zaharia sings the swarmed Angelica with a clean timbre, Mathias Vidal remains a vocal more meek Orlando. Heiko Pinkowski plays the projectionist, you know him from many Ranisch films, he works almost the whole evening and you like to watch him.

During the premiere, a violent thunderstorm apparently fell directly over the Prinzregententheater. When you left the house you saw branches and huge puddles everywhere. Ranisch and the State Opera, which is endowed with all financial means, would be able to have staged that too, as a counterpart to the storms of soul of the protagonists.